![]() “But we’re so pleased to have been able to make this happen. It’s a little funny, being excited about taking the music out,” says Bartelt. “The Pink Panther has one of the most iconic, most recognizable scores in film history - up there with the likes of Jaws and Star Wars. ![]() It just seems like it shouldn’t be possible - but hearing is believing.” “We’ve been working with the process for about two years now, but every time we finish an extraction it still blows my mind. ![]() “Music Slayer really seems like magic,” says Brian Bartelt, Vice President and General Manager of Post Haste Digital. “We are continually evolving our Music Slayer process to solve problems - not just with music extraction - that previously were not solvable.” Faye also comments, “Our work on The Pink Panther film required our most intensive level of extraction, what we refer to as a ‘manual extraction,’ and it ultimately yielded better than anticipated results.” “The modern digital era has opened a whole new world of possibilities when it comes to manipulating audio,” states Ryan Faye. This is a revolutionary process. I am very excited to utilize Music Slayer in the creation of immersive mixes when stems are not available, as it will be indispensable for isolating effects from composite mixes and placing them as objects in an object-based mix.” Developing Music Slayer has changed the way we approach audio and re-mastering in general. But it’s also very fulfilling when we accomplish a clean extraction,” says Justin Valenzuela. “The uses actually go beyond just music. “When stems are not available and a manual extraction is required - which is normal with films from a certain era and was the case with The Pink Panther feature - the overall process can be very laborious. Post Haste’s two lead Music Slayer editors, Justin Valenzuela and Ryan Faye, were excited about the opportunity to slay such a classic film as The Pink Panther. Thompson could see and hear first-hand what we could achieve.” “We offered to perform a short demo of removing music from the composite mix from the feature, so Mr. Falk suggested that Thompson come to Post Haste for a demonstration of what Music Slayer could accomplish. However, with only a mono composite mix available for the film, Thompson contacted Post Haste Digital to see if their Music Slayer process would be able to assist without compromising the surrounding dialogue and effects. ![]() They were approached by composer Henry Mancini’s family last fall to co-produce the world premiere screening of The Pink Panther with a live orchestra performance of Mancini’s iconic score. Thompson’s company licensed the classic 1964 feature film The Pink Panther from MGM Studios. In addition to utilizing Music Slayer for music licensing issues, Post Haste recently assisted Robert Thompson, President of The Music Sales Group / Schirmer Theatrical, which produces high-end screenings of films with live orchestra accompaniment. This is opening up doors for many studios as they are now able to distribute their catalogue via all of the worldwide digital platforms, when previously they couldn’t due to expensive music licensing issues.” “Our Music Slayer process can cost-effectively remove unlicensed music from composite mixes, making it possible to then replace with approved music. “This is a great opportunity for content owners to monetize their catalogue, especially when audio changes are needed and stems are unavailable,” says Allan Falk, owner of Post Haste Digital. This revolutionary new technology digitally removes music from composite mixes when stems are not available. Post Haste developed a proprietary process called Music Slayer®. From handling legacy formats to native IMF (Interoperable Master Format) packaging, Post Haste continually remains cutting edge while continuing to preserve past technologies. Since opening their doors in 2003, the facility has successfully supported major studios and independents with their mastering needs.Īs a boutique facility, Post Haste has a reputation for solving its clients’ problems. Post Haste Digital is a full-service post facility located in West Los Angeles.
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